KARYA TERPILIHSELECTED WORKS

“Yang Fana adalah Waktu. Kita Abadi” (Time is Transient. We are Eternal) is a theatre performance based on the investigation on how the explosion of voices and narratives (ideology, religion, and identity) in post-1998 Indonesia has created and unveiled tension and violence—both new and latent. Premiered in Yogyakarta, June, 2015.

“Yang Fana adalah Waktu. Kita Abadi” (Time is Transient. We are Eternal), karya pertunjukan yang bertolak dari pembacaan dan refleksi atas isu tatan (order) tak-tata (disorder) dalam konteks Indonesia Pasca 1998. Dipentaskan pertama kali di Yogyakarta, Juni, 2015. Lalu atas dukungan dari Badan Ekonomi Kreatif, Djarum Bhakti Budaya dan FIB Universitas Indonesia, dipentaskan di FIB UI, Depok, dan Goethe Institut, Jakarta, Juli 2016.

“100% Yogyakarta”, sebagai ko-produser bersama Rimini Protokol dari Jerman. Karya pertunjukan yang berangkat dari data-data statistik dalam upaya menyingkap problem dan isu kota Yogyakarta. Diproduksi dan dipentaskan sebagai bagian German Season-Goethe Institut Indonesia, Oktober-November 2015.

With Rimini Protokoll co-producing “100% Yogyakarta”, as a part of German Season-Goethe Institut Indonesia, October-November 2015.

“The Streets” (Je.ja.l.an) at OzAsia Festival, Adelaide, Australia, September 2015.

“The Streets (Je.ja.l.an)”, di OzAsia Festival, Adelaide, Australia, September 2015.

“Goyang Penasaran”, sebuah pertunjukan teater yang mengajukan pertanyaan tentang transaksi melihat/dilihat yang berlangsung dalam kenyataan hari ini khususnya dalam hubungan yang pelik antara wacana seksualitas, politik dan agama. Dipentaskan di Studio Teater Garasi Desember 2011 dan di Salihara April 2012.

“Goyang Penasaran” (Obsessive Twist), a theater performance that posed a question on the economy of seeing/being seen within the intricate relationship between the sexuality discourse, politics, religion, and violence in post-1998 Indonesia. Performed in Yogyakarta (2011) and Teater Salihara, Jakarta (2012).

“Tubuh Ketiga. Pada Perayaan yang Berada di Antara.” (Third Body. On Embracing the In-Between), a dance-theatre performance about the “in-between” culture in Indonesia. Premiered in “Salihara Theatre Festival”, Jakarta-Indonesia, October (2010).

“Tubuh Ketiga. Pada Perayaan yang Berada di Antara.” (Third Body. On Embracing the In-Between), sebuah pertunjukan teater tari tentang situasi “antara” di Indonesia, dipentaskan pertama kali di “Festival Salihara 2010”, Oktober 2010, Jakarta.

Je.ja.l.an, sebuah pertunjukan teater tari yang dikembangkan dari observasi intensif tentang kehidupan urban di Indonesia. Diproduksi oleh Teater Garasi dan Dewan Kesenian Jakarta. Dipentaskan di Yogyakarta, Mei 2008, di Shizuoka Spring Arts Festival dan Atelier S-pace-Osaka, 2010.

“Je.ja.l.an,” a dance theatre performance developed from an intensive observation on the (urban) streets life in Indonesia. Performed in Jogja-Jakarta (2008), Shizuoka Spring Arts Festival and Atelier S-pace-Osaka (2010), OzAsia Festival, Adelaide-Australia (2015).

“Space/Scape”, a public and intervention arts project on the meaning of ‘public space’ in Yogyakarta, a collaboration project between Teater Garasi and Kunci Cultural Studies Center, Yogyakarta (2009).

“Space/Scape”, proyek karya seni publik yang membaca kembali makna ‘ruang publik’ di Yogyakarta, kolaborasi Teater Garasi dan Kunci Cultural Studies Center, Yogyakarta (2009).

The King’s Witch, (commissioned work untuk opera kontemporer Tony Prabowo), Jakarta, 2006.

“The King’s Witch,” (commisioned work for Tony Prabowo’s contemporary opera), Jakarta (2006).

“Mnem[a]syne,” a collaboration work with KuNa’uka Theatre Company. Co-produced by KuNauka Theatre Company and The Saison Foundation, Tokyo. Performed in Suzunary Theatre, Tokyo (2006).

“Mnem[a]syne,” sebuah karya kolaborasi dengan KuNa’uka Theatre Company. Diproduksi oleh KuNauka Theatre Company dan The Saison Foundation, Tokyo. Dipentaskan di Suzunary Theatre, Tokyo-Jepang, 2006.

“Waktu Batu #3. Deus ex Machina dan Perasaan-Perasaanku Padamu.” (Stone Time #3. Deus ex Machina and My Feelings For You). Diproduksi oleh Teater Garasi dan Art Summit IV–International Festival of Performing Arts. Dipentaskan di Yogyakarta, Art Summit Indonesia IV-International Festival of Performing and Visual Arts, Jakarta-Indonesia, Insomnia 48 Singapura (2004), In Transit Festival, Berlin (2005), dan Morishita Studio, Tokyo-Jepang (2006).

“Waktu Batu #3. Deus ex Machina dan Perasaan-Perasaanku Padamu.” (Stone Time #3. Deus ex Machina and My Feelings For You). Co produced by Teater Garasi and Art Summit IV–International Festival of Performing Arts. Performed in Tokyo (2006), Berlin (2005), Jepara (2004), Singapore (2004), Jakarta (2004), Yogyakarta (2004).

“Waktu Batu#2. Ritus Seratus Kecemasan dan Wajah Siapa yang Terbelah.” (Time Stone. Rites of Hundred Angsts and Whose Disjointed Face). Performed in Jogjakarta, Bandung, Jakarta, Lampung, Padangpanjang (2003).

“Waktu Batu#2. Ritus Seratus Kecemasan dan Wajah Siapa yang Terbelah.” (Time Stone. Rites of Hundred Angsts and Whose Disjointed Face). Dipentaskan di Yogyakarta, Bandung, Jakarta, Lampung, dan STSI-Padangpanjang. 2003.

“Waktu Batu #1; Kisah-Kisah yang Bertemu di Ruang Tunggu” (Time Stone #1; The Encountered Stories in Waiting Room), Yogyakarta (2002).

“Waktu Batu #1; Kisah-Kisah yang Bertemu di Ruang Tunggu” (Time Stone #1; The Encountered Stories in Waiting Room), Yogyakarta (2002).

“Repertoar Hujan”(Rain Repertoire). Produced by Teater Garasi. Performed in Physical Theatre Festival-Tokyo (2005), Jogjakarta– Surakarta-Bandung – Jakarta (2001).

“Repertoar Hujan”(Rain Repertoire). Produksi Teater Garasi. Dipentaskan di: Yogyakarta– Surakarta-Bandung – Jakarta, Indonesia (2001), Physical Theatre Festival, Tokyo-Jepang, 2005.

“Les Paravents” karya Jean Genet, dipentaskan di Yogyakarta (2000), Surabaya (2000), Bandung (2000), Jakarta (2000).

“Les Paravents” of Jean Genet, performed in Yogyakarta (2000), Surabaya (2000), Bandung (2000), Jakarta (2000).

“Carousel”, non-verbal performance about violence in Indonesia, Yogyakarta (1997)

“Carousel”, pertunjukan non-verbal tentang kekerasan di Indonesia, Yogyakarta (1997).